Name: Editing the Harlem Renaissance (en Inglés)
Price: 246.15 PEN
Availability: InStock
Author: Murray, Joshua M. ; Tangedal, Ross K.
ISBN: 9781835538739

portada Editing the Harlem Renaissance (en Inglés)

Editing the Harlem Renaissance (en Inglés)

Formato

Libro Físico

Editorial

Clemson University Press W/ Lup

Autor

Murray, Joshua M. ; Tangedal, Ross K.

Idioma

Inglés

N° páginas

312

Encuadernación

Tapa Blanda

ISBN13

9781835538739

Categorías

Estados unidos de américa
Relativo a los afroamericanos
Estudios literarios: c. 1900-c. 2000
Historia social y cultural

Editing the Harlem Renaissance (en Inglés)

Murray, Joshua M. ; Tangedal, Ross K. (Autor) · Clemson University Press W/ Lup · Tapa Blanda

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Reseña del libro "Editing the Harlem Renaissance (en Inglés)"

In his introduction to the foundational 1925 text The New Negro, Alain Locke described the "Old Negro" as "a creature of moral debate and historical controversy," necessitating a metamorphosis into a literary art that embraced modernism and left sentimentalism behind. This was the underlying theoretical background that contributed to the flowering of African American culture and art that would come to be called the Harlem Renaissance. While the popular period has received much scholarly attention, the significance of editors and editing in the Harlem Renaissance remains woefully understudied. Editing the Harlem Renaissance foregrounds an in-depth, exhaustive approach to relevant editing and editorial issues, exploring not only those figures of the Harlem Renaissance who edited in professional capacities, but also those authors who employed editorial practices during the writing process and those texts that have been discovered and/or edited by others in the decades following the Harlem Renaissance. Editing the Harlem Renaissance considers developmental editing, textual self-fashioning, textual editing, documentary editing, and bibliography. Chapters utilize methodologies of authorial intention, copy-text, manuscript transcription, critical edition building, and anthology creation. Together, these chapters provide readers with a new way of viewing the artistic production of one of the United States' most important literary movements.