Name: Punk Rock Warlord: The Life and Work of joe Strummer (Ashgate Popular and Folk Music Series) (en Inglés)
Price: 594.99 PEN
Availability: InStock
Author: Barry J. Faulk|Brady Harrison
ISBN: 9781472410559

portada Punk Rock Warlord: The Life and Work of joe Strummer (Ashgate Popular and Folk Music Series) (en Inglés)

Formato

Libro Físico

Editorial

Routledge

Autor

Barry J. Faulk|Brady Harrison

Idioma

Inglés

N° páginas

214

Encuadernación

Tapa Dura

ISBN13

9781472410559

N° edición

Punk Rock Warlord: The Life and Work of joe Strummer (Ashgate Popular and Folk Music Series) (en Inglés)

Barry J. Faulk|Brady Harrison (Autor) · Routledge · Tapa Dura

Libro Físico

S/ 594,99

S/ 1.189,98

Ahorras: S/ 594,99

50% descuento

Envío normal

Origen: Reino Unido (Costos de importación incluídos en el precio)

Se enviará desde nuestra bodega entre el Martes 25 de Junio y el Miércoles 10 de Julio.

Lo recibirás en cualquier lugar de Perú entre 2 y 5 días hábiles luego del envío.

Reseña del libro "Punk Rock Warlord: The Life and Work of joe Strummer (Ashgate Popular and Folk Music Series) (en Inglés)"

Punk Rock Warlord explores the relevance of Joe Strummer within the continuing legacies of both punk rock and progressive politics. It is aimed at scholars and general readers interested in The Clash, punk culture, and the intersections between pop music and politics, on both sides of the Atlantic. Contributors to the collection represent a wide range of disciplines, including history, sociology, musicology, and literature; their work examines all phases of Strummer's career, from his early days as 'Woody' the busker to the whirlwind years as front man for The Clash, to the 'wilderness years' and Strummer's final days with the Mescaleros. Punk Rock Warlord offers an engaging survey of its subject, while at the same time challenging some of the historical narratives that have been constructed around Strummer the Punk Icon. The essays in Punk Rock Warlord address issues including John Graham Mellor's self-fashioning as 'Joe Strummer, rock revolutionary'; critical and media constructions of punk; and the singer's complicated and changing relationship to feminism and anti-racist politics. These diverse essays nevertheless cohere around the claim that Strummer's look, style, and musical repertoire are so rooted in both English and American cultures that he cannot finally be extricated from either.