Name: Red Days: Popular Music and the English Counterculture 1965-1975 (en Inglés)
Price: 85.24 PEN
Availability: InStock
Author: John Roberts
ISBN: 9781570273643

portada Red Days: Popular Music and the English Counterculture 1965-1975 (en Inglés)

Formato

Libro Físico

Editorial

Minor Compositions

Autor

John Roberts

Año

2020

Idioma

Inglés

N° páginas

158

Encuadernación

Tapa Blanda

ISBN13

9781570273643

Red Days: Popular Music and the English Counterculture 1965-1975 (en Inglés)

John Roberts (Autor) · Minor Compositions · Tapa Blanda

Libro Nuevo

S/ 85,24

S/ 170,48

Ahorras: S/ 85,24

50% descuento

Envío normal

Origen: Reino Unido (Costos de importación incluídos en el precio)

Se enviará desde nuestra bodega entre el Lunes 10 de Junio y el Lunes 24 de Junio.

Lo recibirás en cualquier lugar de Perú entre 2 y 5 días hábiles luego del envío.

Reseña del libro "Red Days: Popular Music and the English Counterculture 1965-1975 (en Inglés)"

The passion, intensity and complexity of the popular music produced in England between 1965 75 is the work of an extraordinary generation of working-class and lower-middle-class men and women (in alliance with a handful of middle-class men and women) who saw in the new music the remaking of something bigger than themselves, or more precisely, something bigger than themselves that they could guide and shape and call their own. In this the "use-values" of popular music underwent an unprecedented expansion and diversity during this period. Red Days presents how music and action, music and discourse, experienced a profound re-functioning as definitions of the popular unmoored themselves from the condescending judgements of post-1950s high culture and the sentiment of the old popular culture and the musicologically conformist rock n roll seeking to displace it. The remaking of the popular between 1965 and 1975, accordingly, is more than a revision of popular taste, it is, rather, the demolition of old cultural allegiances and habits, as forces inside and outside of music shattered the assumption of popular music as the home for passive adolescent identifications.