Name: Shakespeare and East Asia (Oxford Shakespeare Topics) (en Inglés)
Price: 126.11 PEN
Availability: InStock
Author: Joubin, Alexa Alice
ISBN: 9780198703570

portada Shakespeare and East Asia (Oxford Shakespeare Topics) (en Inglés)

Formato

Libro Físico

Autor

Alexa Alice Joubin

Editorial

Oxford University Press, USA

Año

2021

Idioma

Inglés

N° páginas

272

Encuadernación

Tapa Blanda

Dimensiones

20.1 x 13.5 x 1.8 cm

Peso

0.32 kg.

ISBN13

9780198703570

Categorías

Shakespeare
Obras de teatro clásicas y anteriores al siglo xx
Estudios literarios del renacimiento europeo
Obras de teatro y dramaturgos

Shakespeare and East Asia (Oxford Shakespeare Topics) (en Inglés)

Alexa Alice Joubin (Autor) · Oxford University Press, USA · Tapa Blanda

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S/ 252,22

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Origen: España (Costos de importación incluídos en el precio)

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Reseña del libro "Shakespeare and East Asia (Oxford Shakespeare Topics) (en Inglés)"

Structured around modes in which one might encounter Asian-themed performances and adaptations, Shakespeare and East Asia identifies four themes that distinguish post-1950s East Asian cinemas and theatres from works in other parts of the world: Japanese formalistic innovations in sound and spectacle; reparative adaptations from China, Taiwan, and Hong Kong; the politics of gender and reception of films and touring productions in South Korea and the UK; and multilingual, diaspora works in Singapore and the UK. These adaptations break new ground in sound and spectacle; they serve as a vehicle for artistic and political remediation or, in some cases, the critique of the myth of reparative interpretations of literature; they provide a forum where diasporic artists and audiences can grapple with contemporary issues; and, through international circulation, they are reshaping debates about the relationship between East Asia and Europe. Bringing film and theatre studies together, this book sheds new light on the two major genres in a comparative context and reveals deep structural and narratological connections among Asian and Anglophone performances. These adaptations are products of metacinematic and metatheatrical operations, contestations among genres for primacy, or experimentations with features of both film and theatre.