Name: Songbirds on the Literary Stage: The Woman Singer and Her Song in French and German Prose Fiction, from Goethe to Berlioz (en Inglés)
Price: 244.70 PEN
Availability: InStock
Author: Collier, Peter ; Effertz, Julia
ISBN: 9783034307345

portada Songbirds on the Literary Stage: The Woman Singer and Her Song in French and German Prose Fiction, from Goethe to Berlioz (en Inglés)

Songbirds on the Literary Stage: The Woman Singer and Her Song in French and German Prose Fiction, from Goethe to Berlioz (en Inglés)

Formato

Libro Físico

Autor

Julia Effertz

Ilustrado por

Peter Collier

Editorial

Peter Lang Ltd, International Academic Publis

Idioma

Inglés

N° páginas

285

Encuadernación

Tapa Blanda

Dimensiones

22.4 x 15.0 x 1.5 cm

Peso

0.39 kg.

ISBN13

9783034307345

Categorías

Francia
Alemania
Literatura: historia y crítica
Estudios de género: mujeres y chicas

Songbirds on the Literary Stage: The Woman Singer and Her Song in French and German Prose Fiction, from Goethe to Berlioz (en Inglés)

Julia Effertz (Autor) · Peter Collier (Ilustrado por) · Peter Lang Ltd, International Academic Publis · Tapa Blanda

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Reseña del libro "Songbirds on the Literary Stage: The Woman Singer and Her Song in French and German Prose Fiction, from Goethe to Berlioz (en Inglés)"

This interdisciplinary study, situated at the cross-section of music, literature and gender, examines the woman singer and her song as a literary motif in French and German prose fiction from the 1790s to the mid-nineteenth century. Through selected case studies, this diachronic history of motifs offers a fresh perspective on canonical singer archetypes, such as Goethe's child singer Mignon and Madame de Staël's ground-breaking artist Corinne. The volume also examines lesser known narratives by authors including Caroline Auguste Fischer, E.T.A. Hoffmann, Hector Berlioz and Marceline Desbordes-Valmore, some of which have not been considered critically in this regard before. This allows for a re-evaluation of the significance of the singer motif in musical narratives from the Romantic era to the July Monarchy. The sometimes polemic, often ambivalent, yet always nuanced and multi-layered reflection on the woman singer in literature bears testimony to the complexity of the nineteenth-century musical-literary discourse and its fluid negotiation of gender relations and female performance, fitting well with that ineffable, enigmatic essence of the woman singer herself who, as a literary motif and a cultural icon, continues to resonate and fascinate well beyond the nineteenth century.