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Traditional Arts of South Asia: Continuity in Contemporary Practice & Patronage (Saffron Asian art & Society)
Crispin Branfoot, Ed, A Dallapiccola, E Edwards, A Hardy, Jyotindra Jain, Robin D Jones, Ismail M Khatri, Abigail Mcgowan, Kamil K Mumtaz, Samuel Parker, Sharada Srinivasan. Sajid Rizvi, Series Editor (Autor)
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Saffron Books London
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Traditional Arts of South Asia: Continuity in Contemporary Practice & Patronage (Saffron Asian art & Society) - Crispin Branfoot, Ed, A Dallapiccola, E Edwards, A Hardy, Jyotindra Jain, Robin D Jones, Ismail M Khatri, Abigail Mcgowan, Kamil K Mumtaz, Samuel Parker, Sharada Srinivasan. Sajid Rizvi, Series Editor
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Reseña del libro "Traditional Arts of South Asia: Continuity in Contemporary Practice & Patronage (Saffron Asian art & Society)"
This beautiful book examines the challenges of modernity to the development, understanding and practice of the traditions of architecture, sculpture, textiles and paintings of South Asia in the nineteenth and twentieth centuries. South Asia is well known for its vibrant visual culture, with a rich artistic tradition that stretches back over two millennia. Traditional Arts of South Asia: continuity in contemporary patronage and practice examines the challenges of modernity to the development, understanding and practice of the traditions of architecture, sculpture, textiles and paintings of South Asia in the nineteenth and twentieth centuries. Edited by Crispin Branfoot, with contributions by Anna L Dallapiccola, Eiluned Edwards, Adam Hardy, Jyotindra Jain, Robin D Jones, Ismail Mohammad Khatri, Abigail McGowan, Kamil Khan Mumtaz, Samuel K Parker and Sharada Srinivasan. Series Editor Sajid Rizvi Included are studies of traditions of art in India and Sri Lanka in the context of the nineteenth century British Arts & Crafts Movement; the production and consumption of block-printed cloth and other textiles in western India; the impact of modern technology on the mass reproduction of Hindu imagery; tradition and innovation in the practice of bronze-casting and temple painting in south India; and the patronage and design of religious architecture, both Hindu and Islamic, in modern South Asia. The papers included are by a distinguished group of eleven scholars and practitioners of traditional arts from India, Pakistan, Britain and the United States.
