Name: Bastard Culture!: How User Participation Transforms Cultural Production (en Inglés)
Price: 250.97 PEN
Availability: InStock
Author: Schäfer, Mirko Tobias
ISBN: 9789089642561

portada Bastard Culture!: How User Participation Transforms Cultural Production (en Inglés)

Bastard Culture!: How User Participation Transforms Cultural Production (en Inglés)

Formato

Libro Físico

Autor

Mirko Tobias Schäfer

Editorial

Amsterdam University Press

Año

2011

Idioma

Inglés

N° páginas

256

Encuadernación

Tapa Blanda

Dimensiones

23.3 x 16.7 x 1.7 cm

Peso

0.44 kg.

ISBN13

9789089642561

Categorías

Películas, cine

Bastard Culture!: How User Participation Transforms Cultural Production (en Inglés)

Mirko Tobias Schäfer (Autor) · Amsterdam University Press · Tapa Blanda

Libro Nuevo Importado

Envío: 12 a 17 días háb.

S/ 557,70S/ 250,97

-55%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Última Unidad

S/ 250,97

Llega entre el 20 Ago y el 28 Ago a CERCADO DE LIMA, Lima. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "Bastard Culture!: How User Participation Transforms Cultural Production (en Inglés)"

New online technologies have brought with them a great promise of freedom. The computer and particularly the Internet have been represented as enabling technologies, turning consumers into users and users into producers. Furthermore, lay people and amateurs have been enthusiastically greeted as heroes of the digital era. This thoughtful study casts a fresh light on the shaping of user participation in the context of, among others, popular discourse in and around new media. Schäfer's groundbreaking research into hacking, fan communities and Web 2.0 applications demonstrates how the dynamic of innovation, control and interaction have shifted the boundaries of the traditional culture industry into the user domain. The media industry undergoes a shift from creating content to providing platforms for user driven social interactions and user-generated content. In this extended culture industry, participation unfolds not only in the co-creation of media content and software-based products, but also in the development and defense of distinctive media practices that represent a socio-political understanding of new technologies.