Name: Black Girl (la Noire De. ) (Bfi Film Classics) (en Inglés)
SKU: 64338347
Price: 78.09 PEN
Availability: InStock
Author: Vlad Dima
ISBN: 9781839027352

portada Black Girl (la Noire De. ) (Bfi Film Classics) (en Inglés)

Black Girl (la Noire De. ) (Bfi Film Classics) (en Inglés)

Formato

Libro Físico

Editorial

British Film Inst % India

Autor

Vlad Dima

Idioma

Inglés

N° páginas

104

Encuadernación

Tapa Blanda

ISBN13

9781839027352

Black Girl (la Noire De. ) (Bfi Film Classics) (en Inglés)

Vlad Dima (Autor) · British Film Inst % India · Tapa Blanda

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Reseña del libro "Black Girl (la Noire De. ) (Bfi Film Classics) (en Inglés)"

Ousmane Sembène was one of the greatest, most groundbreaking filmmakers in the history of cinema, an acclaimed novelist, and the most renowned African director of the twentieth century. Black Girl was his brilliant, blistering debut. Released in 1966, it won the Prix Jean Vigo at the Cannes Film Festival that year. The film is about a young Senegalese woman, played powerfully by M'Bissine Thérèse Diop, who moves to France to work for a wealthy white family as a nanny, but quickly discovers that life in their apartment is a prison, both figuratively and literally; but it is also a searing, nuanced critique of the lingering colonialism in the supposedly postcolonial world. Vlad Dima's study of Black Girl argues that the film helped to map the future of African cinema. He situates it within its postcolonial context, considering its adaptation from the eponymous short story first published in 1962. He examines the performances of Mbissine Thérèse Diop (Diouana), Anne-Marie Jelinek (Madame) and Robert Fontaine (Monsieur), considering the ways in which they embody or subvert postcolonial, French archetypes, and then goes on to examine the technical aspects of Sembene's filmmaking, such as his innovative use of framing and aural composition. Finally, he traces the film's lasting influence on African cinema, from Sembène's own Xala (1975), to Safi Faye's Mossane (1996), Joseph Gaï Ramaka's Karmen Geï (2001), Jean-Pierre Bekolo's Saignantes (2005), and Mati Diop's Atlantics (2019).