Name: Ceramics in the Victorian Era: Meanings and Metaphors in Painting and Literature (en Inglés)
Price: 397.75 PEN
Availability: InStock
Author: Gotlieb, Rachel ; Yonan, Michael
ISBN: 9781350354845

portada Ceramics in the Victorian Era: Meanings and Metaphors in Painting and Literature (en Inglés)

Ceramics in the Victorian Era: Meanings and Metaphors in Painting and Literature (en Inglés)

Formato

Libro Físico

Autor

Rachel Gotlieb

Ilustrado por

Michael Yonan

Editorial

Bloomsbury Visual Arts

Idioma

Inglés

N° páginas

296

Encuadernación

Tapa Dura

Dimensiones

23.6 x 15.6 x 2.2 cm

Peso

0.84 kg.

ISBN13

9781350354845

Categorías

Reino unido
1837-1901 (época victoriana)
Cerámica, mosaicos y vidrio: obras de arte
Historia del arte
Historia de europa

Ceramics in the Victorian Era: Meanings and Metaphors in Painting and Literature (en Inglés)

Rachel Gotlieb (Autor) · Michael Yonan (Ilustrado por) · Bloomsbury Visual Arts · Tapa Dura

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Reseña del libro "Ceramics in the Victorian Era: Meanings and Metaphors in Painting and Literature (en Inglés)"

This book broadens the discussion of pottery and china in the Victorian era by situating them in the national, imperial, design reform, and domestic debates between 1840 and 1890. Largely ignored in recent scholarship, Ceramics in the Victorian Era: Meanings and Metaphors in Painting and Literature argues that the signification of a pot, a jug, or a tableware pattern can be more fully discerned in written and painted representations. Across five case studies, the book explores a rhetoric and set of conventions that developed within the representation of ceramics, emerging in the late-18th century, and continuing in the Victorian period. Each case study begins with a textual passage exemplifying the outlined theme and closes with an object analysis to demonstrate how the fusing of text, image, and object are critical to attaining the period eye in order to better understand the metaphorical meanings of ceramics. Essential reading not only for ceramics scholars, but also those of material culture, the book mines the rich and diverse archive of Victorian painting and literature, from the avant-garde to the sentimental, from the well-known to the more obscure, to shed light on the at once complex and simple implications of ceramics' agencies at this time.