Name: Fragmented Devotion: Medieval Objects from the Schnutgen Museum in Cologne (en Inglés)
Price: 211.57 PEN
Availability: InStock
Author: Netzer, Nancy ; Reinburg, Virginia
ISBN: 9781892850010

portada Fragmented Devotion: Medieval Objects from the Schnutgen Museum in Cologne (en Inglés)

Fragmented Devotion: Medieval Objects from the Schnutgen Museum in Cologne (en Inglés)

Formato

Libro Físico

Editorial

McMullen Museum of Art, Boston College

Autor

Netzer, Nancy ; Reinburg, Virginia

Año

2000

Idioma

Inglés

N° páginas

150

Encuadernación

Tapa Blanda

Dimensiones

28.0 x 20.4 x 1.5 cm

Peso

0.64 kg.

ISBN

189285001x

ISBN13

9781892850010

N° edición

0002

Categorías

Europa
Estilo medieval
Historia del arte
Arquitectos y estudios de arquitectura

Fragmented Devotion: Medieval Objects from the Schnutgen Museum in Cologne (en Inglés)

Netzer, Nancy ; Reinburg, Virginia (Autor) · McMullen Museum of Art, Boston College · Tapa Blanda

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Reseña del libro "Fragmented Devotion: Medieval Objects from the Schnutgen Museum in Cologne (en Inglés)"

Medieval art survives today as fragments of larger works, usually displayed by historical period, geographic location, artistic medium, or iconographic theme. Fragmented Devotion is the first exhibition to explore the meanings these fragments have in our understanding of medieval art and religious life from the Middle Ages to the present. Most of these objects have never been shown before in North America, and many have not been published since the beginning of the twentieth century. The catalog includes essays by historians, art historians, philosophers, and theologians. The writings discuss the meanings these objects had in medieval religious practice. The essays then go on to trace how those original meanings changed when the objects were collected and installed by Alexander Schnutgen within the larger context of Catholicism and nationalism in nineteenth century Germany. Finally, the contributors look at the 1920s and 1930s when the objects were installed in a museum-like setting and consider this installation in light of the developments in medieval art history and the policies of national socialism.