Name: Hearing the City in Early Modern Europe (en Inglés)
SKU: 60298223
Price: 550.53 PEN
Availability: InStock
Author: Knighton, T. ; Mazuela-Anguita, A.
ISBN: 9782503579597

portada Hearing the City in Early Modern Europe (en Inglés)

Hearing the City in Early Modern Europe (en Inglés)

Formato

Libro Físico

Editorial

Brepols Publishers

Autor

Knighton, T. ; Mazuela-Anguita, A.

Idioma

Inglés

N° páginas

428

Encuadernación

Tapa Blanda

Dimensiones

28.7x18.8x2.8 cm

Peso

1.54 kg.

ISBN13

9782503579597

Categorías

Europa
Reseña y crítica musicales
Historia de la música
Historia de europa
Historia social y cultural

Hearing the City in Early Modern Europe (en Inglés)

Knighton, T. ; Mazuela-Anguita, A. (Autor) · Brepols Publishers · Tapa Blanda

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Reseña del libro "Hearing the City in Early Modern Europe (en Inglés)"

Hearing the City is a major new contribution to the field of urban musicology in the early modern period with twenty-one essays by leading figures in the field from Europe, the USA and Australia. The urban soundscape is studied from a range of different interdisciplinary perspectives, and its scope is broad, from the major role of city minstrels in fifteenth-century Viennese urban identity to the civic problems presented by the location of opera houses in Enlightenment Naples. The individual contributions explore themes related to the complex relationships between sound and space within the urban context and between social identity and civic authorities and draw on a wide range of source material from city pay documents and legislation to contemporaneous accounts, correspondence, travel writing, religious and moral tracts, fictional writing and architectural legacy. Aspects of urban soundscapes both specific and common to Naples, Rome, Palermo, Barcelona, Madrid, Valencia, Lisbon, London, Vienna, Hamburg and Zurich are analyzed in their broader socio-cultural contexts, as well as the dynamic networks between cities in Europe and beyond. These case studies are framed by Tim Carter's stimulating introduction to the development of historical urban sound studies and a coda in the form of a discussion as to how the results of urban musicology might be applied through a digital platform to reach beyond academic discourse to involve modern citizens in hearing the soundworlds of the past.