Name: Image Ethics: The Moral Rights of Subjects in Photographs, Film, and Television (Communication and Society) (en Inglés)
Price: 314.18 PEN
Availability: InStock
Author: Larry P. Gross
ISBN: 9780195067804

portada Image Ethics: The Moral Rights of Subjects in Photographs, Film, and Television (Communication and Society) (en Inglés)

Image Ethics: The Moral Rights of Subjects in Photographs, Film, and Television (Communication and Society) (en Inglés)

Formato

Libro Físico

Editorial

Oxford University Press

Autor

Larry P. Gross

Año

1991

Idioma

Inglés

N° páginas

400

Encuadernación

Tapa Blanda

Peso

1.20

ISBN

0195067800

ISBN13

9780195067804

Categorías

Ética empresarial y responsabilidad social

Image Ethics: The Moral Rights of Subjects in Photographs, Film, and Television (Communication and Society) (en Inglés)

Larry P. Gross (Autor) · Oxford University Press · Tapa Blanda

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Reseña del libro "Image Ethics: The Moral Rights of Subjects in Photographs, Film, and Television (Communication and Society) (en Inglés)"

This pathbreaking collection of thirteen original essays examines the moral rights of the subjects of documentary film, photography, and television. Image makers--photographers and filmmakers--are coming under increasing criticism for presenting images of people that are considered intrusive and embarrassing to the subject. Portraying subjects in a "false light," appropriating their images, and failing to secure "informed consent" are all practices that intensify the debate between advocates of the right to privacy and the public's right to know. Discussing these questions from a variety of perspectives, the authors here explore such issues as informed consent, the "right" of individuals and minority groups to be represented fairly and accurately, the right of individuals to profit from their own image, and the peculiar moral obligations of minorities who image themselves and the producers of autobiographical documentaries. The book includes a series of provocative case studies on: the documentaries of Frederick Wiseman, particularly Titicut Follies; British documentaries of the 1930s; the libel suit of General Westmoreland against CBS News; the film Witness and its portrayal of the Amish; the film The Gods Must be Crazy and its portrayal of the San people of southern Africa; and the treatment of Arabs and gays on television. The first book to explore the moral issues peculiar to the production of visual images, Image Ethics will interest a wide range of general readers and students and specialists in film and television production, photography, communications, media, and the social sciences.