Name: Impermanent Structures: Semiotic Readings of Nelson Rodrigues' Vestido de Noiva, Lbum de Famlia, and Anjo Negro (North Carolina Studies in the Romance Languages and Literatures, 238) (en Inglés)
Price: 149.57 PEN
Availability: InStock
Author: Fred M. Clark
ISBN: 9780807892428

portada Impermanent Structures: Semiotic Readings of Nelson Rodrigues' Vestido de Noiva, Lbum de Famlia, and Anjo Negro (North Carolina Studies in the Romance Languages and Literatures, 238) (en Inglés)

Impermanent Structures: Semiotic Readings of Nelson Rodrigues' Vestido de Noiva, Lbum de Famlia, and Anjo Negro (North Carolina Studies in the Romance Languages and Literatures, 238) (en Inglés)

Formato

Libro Físico

Editorial

Longleaf Services Behalf Of Unc - Osps

Autor

Fred M. Clark

Idioma

Inglés

Encuadernación

Tapa Blanda

ISBN13

9780807892428

Impermanent Structures: Semiotic Readings of Nelson Rodrigues' Vestido de Noiva, Lbum de Famlia, and Anjo Negro (North Carolina Studies in the Romance Languages and Literatures, 238) (en Inglés)

Fred M. Clark (Autor) · Longleaf Services Behalf Of Unc - Osps · Tapa Blanda

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Reseña del libro "Impermanent Structures: Semiotic Readings of Nelson Rodrigues' Vestido de Noiva, Lbum de Famlia, and Anjo Negro (North Carolina Studies in the Romance Languages and Literatures, 238) (en Inglés)"

Fred M. Clark offers a semiotic analysis of three plays by Nelson Rodrigues, based in Charles S. Pierce's triadic concept of the sign: as sign, interpretant, and object, in regards to its production as perception and consciousness. Clark's use of this triad approach demonstrates the self-conscious plays of icons in Vestido de noiva, Album de familia, and Anjo negro, and offers a basis for the relevance of his conclusions to theatre at large. Based on this semiotic theory, Clark demonstrates the particular modes in which Nelson's theatre builds up fictional situations that transcend the pretense of the vanguard to become radically innovative and achieve a first-rate literary realization, equal of any occidental writer of the period. The author demonstrates the way in which Rodrigues dissects the difference between seeming and being, questioning the very notion of permanence and order.