Name: Literary Materialisations and Interferential Reading: Making Matter Matter on Page, Stage and Screen (Routledge Studies in Contemporary Literature) (en Inglés)
Price: 535.12 PEN
Availability: InStock
Author: Hotz-Davies Ingrid,Middeke Martin,Reinfandt Christoph
ISBN: 9781032294605

portada Literary Materialisations and Interferential Reading: Making Matter Matter on Page, Stage and Screen (Routledge Studies in Contemporary Literature) (en Inglés)

Literary Materialisations and Interferential Reading: Making Matter Matter on Page, Stage and Screen (Routledge Studies in Contemporary Literature) (en Inglés)

Formato

Libro Físico

Editorial

Routledge

Autor

Hotz-Davies Ingrid,Middeke Martin,Reinfandt Christoph

Idioma

Inglés

N° páginas

276

Encuadernación

Tapa Dura

ISBN13

9781032294605

N° edición

Literary Materialisations and Interferential Reading: Making Matter Matter on Page, Stage and Screen (Routledge Studies in Contemporary Literature) (en Inglés)

Hotz-Davies Ingrid,Middeke Martin,Reinfandt Christoph (Autor) · Routledge · Tapa Dura

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Reseña del libro "Literary Materialisations and Interferential Reading: Making Matter Matter on Page, Stage and Screen (Routledge Studies in Contemporary Literature) (en Inglés)"

This book traces literature's long history of repurposing representational language use for performative, "material" effects. It brings this tradition into dialogue with the recent material turn in literary and cultural theory, which seeks to supplant or at least rethink the foundational influence of the linguistic turn in the field. Drawing on a variety of cutting-edge new-materialist theories, this book programmatically outlines the contours of a methodology of Interferential Reading that is then brought to bear on examples ranging from Shakespeare, Donne, Keats and Tennyson to Northern Irish poets Colette Bryce and Sinéad Morrissey and Scottish poet Kathleen Jamie; from British thing essays to J. G. Ballard, John Berger, Nicola Barker, Richard Powers, Colum McCann, Tim Crouch, Hanya Yanagihara and Korean writer Han Kang, winner of the 2024 Nobel Prize for literature, and from the history of theatrical bodies to the intermedial as well as affective textures in very recent experimental theatre, live theatre broadcasting and media art.