Name: Lost Lambs: The most anticipated literary debut of 2026 – a savagely funny family saga
SKU: 64784528
Price: 91.09 PEN
Availability: InStock
Rating: 5 (1 reviews)
Author: Madeline Cash
ISBN: 9781529946123

portada Lost Lambs: The most anticipated literary debut of 2026 – a savagely funny family saga

Lost Lambs: The most anticipated literary debut of 2026 – a savagely funny family saga

Formato

Libro Físico

Autor

Madeline Cash

Editorial

Doubleday

Año

2026

N° páginas

336

Encuadernación

Tapa Dura

Dimensiones

24x15.6x2.8 cm

ISBN13

9781529946123

Categorías

Ficción y temas afines

Lost Lambs: The most anticipated literary debut of 2026 – a savagely funny family saga

Madeline Cash (Autor) · Doubleday · Tapa Dura

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Reseña del libro "Lost Lambs: The most anticipated literary debut of 2026 – a savagely funny family saga"

The funny and compassionate new literary novel that turns family dysfunction into an art form.

‘A voice like no other’ Lena Dunham, award-winning writer, director and creator of comedy-drama Girls

'Loud, hilarious, shocking and sensitive' Megan Nolan, prize-listed author of Acts of Desperation

For the three Flynn daughters, it’s been disastrous since their parents opened up their marriage. Abigail, the eldest, is dating an ex-soldier several years her senior nicknamed ‘War Crimes Wes’. Louise, the middle child, maintains a secret correspondence with an online terrorist. And the brilliant youngest, Harper, is being sent to a wilderness reform camp due to her insistence that someone – or something – is monitoring the town’s citizens.

Casting a shadow across their lives is Paul Alabaster, a nefarious local billionaire. Rumours of corruption circulate, but no one dares dig too deep. No one except Harper, whose obsession with Alabaster’s machinations sends the family hurtling into a criminal conspiracy – one that may just, finally, bring them closer together.

Rippling with humour, warmth and style, Lost Lambs turns family dysfunction into an art form.

Praise for Lost Lambs:

‘Goes off like a firework. As sincere as it is funny (and it’s very funny)’ Ramona Ausubel, bestselling author of The Last Animal

‘A great, great American novel’ Samantha Hunt, Women’s Prize Shortlisted author of The Seas

‘A dazzling and singular new voice in literary fiction… Loud, hilarious, shocking, and sensitive’ Megan Nolan, award-winning author of Ordinary Human Failings

‘With a big surge of energy, Lost Lambs splits the nucleus of the American family’ Tony Tulathimutte, author of Rejection – National Book Award Finalist

‘Madeline Cash is a humourist in the darkly humanist tradition of George Saunders and Lorrie Moore, of Vonnegut and Twain’ Tim Kreider, author of We Learn Nothing

‘Immersive and propulsive and I never wanted it to end. I can’t remember the last time a novel made me laugh so hard or feel so much tenderness for its characters… I loved it. I devoured it’ Leslie Jamison, author of Splinters

Madeline Cash

(Autor)

Ver Página del Autor

Madeline Cash es una escritora y editora estadounidense, reconocida por irrumpir en la escena literaria con una propuesta narrativa marcada por el humor, la sátira y una mirada aguda sobre la vida contemporánea. Vinculada al ámbito editorial —ha trabajado como editora de revista—, su escritura destaca por un estilo irreverente, ágil y cargado de observación social, donde lo cotidiano se mezcla con lo absurdo. Su obra se sitúa dentro de la ficción literaria contemporánea, explorando las tensiones familiares, la cultura digital y las paranoias modernas con un tono distintivo.

Es autora de Lost Lambs (2026), su primera novela, que rápidamente se posicionó como un título destacado del año y una de las obras más anticipadas por diversos medios. En este libro, Cash construye una historia coral sobre una familia disfuncional envuelta en conspiraciones, combinando comedia, crítica social y elementos casi surrealistas. Su debut ha sido valorado por su energía narrativa y su capacidad para retratar con ironía las contradicciones del presente, consolidándola como una voz emergente dentro de la narrativa anglosajona actual.

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