Name: Making Stereo Fit: The History of a Disquieting Film Technology (Volume 6) (California Studies in Music, Sound, and Media) (en Inglés)
Price: 253.66 PEN
Availability: InStock
Author: Dienstfrey Eric
ISBN: 9780520379541

portada Making Stereo Fit: The History of a Disquieting Film Technology (Volume 6) (California Studies in Music, Sound, and Media) (en Inglés)

Making Stereo Fit: The History of a Disquieting Film Technology (Volume 6) (California Studies in Music, Sound, and Media) (en Inglés)

Formato

Libro Físico

Editorial

University Of California Press

Autor

Dienstfrey Eric

Idioma

Inglés

N° páginas

312

Encuadernación

Tapa Dura

ISBN13

9780520379541

N° edición

Making Stereo Fit: The History of a Disquieting Film Technology (Volume 6) (California Studies in Music, Sound, and Media) (en Inglés)

Dienstfrey Eric (Autor) · University Of California Press · Tapa Dura

Libro Nuevo Importado

Envío: 11 a 16 días háb.

S/ 563,69S/ 253,66

-55%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan más de 100 unidades

S/ 253,66

Llega entre el 18 Ago y el 26 Ago a CERCADO DE LIMA, Lima. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "Making Stereo Fit: The History of a Disquieting Film Technology (Volume 6) (California Studies in Music, Sound, and Media) (en Inglés)"

Surround sound is often mistaken as a relatively new phenomenon in cinemas, one that emerged in the 1970s with the arrival of Dolby. Making Stereo Fit reveals that, in fact, filmmakers have been creating stereo and surround-sound effects for nearly a century, since the advent of talking pictures, and argues that their endurance owes primarily to the longstanding battles between stereo and mono technologies. Throughout the book, Eric Dienstfrey analyzes newly discovered archival materials and myriad stereo releases, from Hell's Angels (1930) to Get Out (2017), to show how Hollywood's financial dependence on mono prevented filmmakers from seeing surround sound's full aesthetic potential. Though studios initially explored stereo's unique capabilities, Dienstfrey details how filmmakers eventually codified a conservative set of surround-sound techniques that prevail today, despite the arrival of more immersive formats.