Name: Music, Dance, Affect, And Emotions In Latin America (music, Culture, And Identity In Latin America) (en Inglés)
SKU: 52361295
Price: 219.70 PEN
Availability: InStock
Author: Vila, Pablo ; Cerletti, Adriana ; Citro, Silvia
ISBN: 9781498536943

portada Music, Dance, Affect, And Emotions In Latin America (music, Culture, And Identity In Latin America) (en Inglés)

Music, Dance, Affect, And Emotions In Latin America (music, Culture, And Identity In Latin America) (en Inglés)

Formato

Libro Físico

Ilustrado por

Contribuciones de

Editorial

Autor

Vila, Pablo ; Cerletti, Adriana ; Citro, Silvia

Año

2018

Idioma

Inglés

N° páginas

296

Encuadernación

Tapa Blanda

Dimensiones

22.9x15.2x1.6 cm

Peso

0.40 kg.

ISBN13

9781498536943

Categorías

Danza
Historia de las artes escénicas
Reseña y crítica musicales
Historia de la música
Psicología: emociones

Music, Dance, Affect, And Emotions In Latin America (music, Culture, And Identity In Latin America) (en Inglés)

Pablo Vila (Ilustrado por) · Adriana Cerletti (Contribuciones de) · Silvia Citro (Contribuciones de) · Lexington Books · Tapa Blanda

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Reseña del libro "Music, Dance, Affect, And Emotions In Latin America (music, Culture, And Identity In Latin America) (en Inglés)"

Music, Dance, Affect, and Emotions in Latin America is a collection of essays that analyze different manifestations of Argentine music and dance taking advantage of the exciting new theoretical developments advanced by the current affective turn. Contributors deal with the relationship between music, dance, affects, feelings, and emotions in different scenarios and show how the embodiment of music shape the experiential in ways that may impact upon but nevertheless many times evade conscious knowing. This book is one of the first academic attempts (regardless of region or country of scope) to try to solve some of the most important problems the affective turn has identified regarding how music and dance have been researched so far, such as the tendency, in representational accounts of music, to ignore the sensory and sonic registers to the detriment of the embodied and lived registers of experience and feeling that unfold in the process of making or listening to music.