Name: Passing, Posing, Persuasion: Cultural Production and Coloniality in Japan's East Asian Empire (en Inglés)
SKU: 56221859
Price: 127.30 PEN
Availability: InStock
Author: Yi, Christina ; Haag, Andre ; Ryu, Catherine
ISBN: 9780824896300

portada Passing, Posing, Persuasion: Cultural Production and Coloniality in Japan's East Asian Empire (en Inglés)

Passing, Posing, Persuasion: Cultural Production and Coloniality in Japan's East Asian Empire (en Inglés)

Formato

Libro Físico

Editorial

University of Hawaii Press

Autor

Yi, Christina ; Haag, Andre ; Ryu, Catherine

Idioma

Inglés

N° páginas

212

Encuadernación

Tapa Blanda

Dimensiones

22.6x15x1.5 cm

Peso

0.32 kg.

ISBN13

9780824896300

Categorías

Japón
Siglo xx, c. 1900-c. 1999
Política y gobierno
Historia general y del mundo
Historia de asia
Colonialismo e imperialismo

Passing, Posing, Persuasion: Cultural Production and Coloniality in Japan's East Asian Empire (en Inglés)

Yi, Christina ; Haag, Andre ; Ryu, Catherine (Autor) · University of Hawaii Press · Tapa Blanda

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Reseña del libro "Passing, Posing, Persuasion: Cultural Production and Coloniality in Japan's East Asian Empire (en Inglés)"

Passing, Posing, Persuasion interrogates the intersections between cultural production, identity, and persuasive messaging that idealized inclusion and unity across Japan's East Asian empire (1895-1945). Japanese propagandists drew on a pan-Asian rhetoric that sought to persuade colonial subjects to identify with the empire while simultaneously maintaining the distinctions that subjugated them and marking their attempts to self-identify as Japanese as inauthentic, illegitimate forms of "passing" or "posing." Visions of inclusion encouraged assimilation but also threatened to disrupt the very logic of imperialism itself: If there was no immutable difference between Taiwanese and Japanese subjects, for example, then what justified the subordination of the former to the latter? The chapters emphasize the plurality and heterogeneity of empire, together with the contradictions and tensions of its ideologies of race, nation, and ethnicity. The paradoxes of passing, posing, and persuasion opened up unique opportunities for colonial contestation and negotiation in the arenas of cultural production, including theater, fiction, film, magazines, and other media of entertainment and propaganda consumed by audiences in mainland Japan and its colonies. From Meiji adaptations of Shakespeare and interwar mass media and colonial fiction to wartime propaganda films, competing narratives sought to shape how ambiguous identities were performed and read. All empires necessarily engender multiple kinds of border crossings and transgressions; in the case of Japan, the policing and blurring of boundaries often pivoted on the outer markers of ethno-national identification. This book showcases how actors--in multiple senses of the word--from all parts of the empire were able to move in and out of different performative identities, thus troubling its ontological boundaries.