Name: Rome, Travel and the Sculpture Capital, C.1770-1825 (en Inglés)
Price: 253.94 PEN
Availability: InStock
Author: Macsotay, Tomas
ISBN: 9781138353275

portada Rome, Travel and the Sculpture Capital, C.1770-1825 (en Inglés)

Rome, Travel and the Sculpture Capital, C.1770-1825 (en Inglés)

Formato

Libro Físico

Editorial

Routledge

Autor

Macsotay, Tomas

Año

2018

Idioma

Inglés

N° páginas

274

Encuadernación

Tapa Blanda

ISBN13

9781138353275

N° edición

Categorías

Barroco
Romanticismo
Rococó
Escultura
Instalaciones artísticas
Historia del arte

Rome, Travel and the Sculpture Capital, C.1770-1825 (en Inglés)

Macsotay, Tomas (Autor) · Routledge · Tapa Blanda

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Reseña del libro "Rome, Travel and the Sculpture Capital, C.1770-1825 (en Inglés)"

The world that shaped Europe's first national sculptor-celebrities, from Schadow to David d'Angers, from Flaxman to Gibson, from Canova to Thorvaldsen, was the city of Rome. Until around 1800, the Holy See effectively served as Europe's cultural capital, and Roman sculptors found themselves at the intersection of the Italian marble trade, Grand Tour expenditure, the cult of the classical male nude, and the Enlightenment republic of letters. Two sets of visitors to Rome, the David circle and the British traveler, have tended to dominate Rome's image as an open artistic hub, while the lively community of sculptors of mixed origins has not been awarded similar attention. Rome, Travel and the Sculpture Capital, c.1770-1825 is the first study to piece together the labyrinthine sculptors' world of Rome between 1770 and 1825. The volume sheds new light on the links connecting Neo-classicism, sculpture collecting, Enlightenment aesthetics, studio culture, and queer studies. The collection offers ideal introductory reading on sculpture and Rome around 1800, but its combination of provocative perspectives is sure to appeal to a readership interested in understanding a modernized Europe's overwhelmingly transnational desire for Neo-classical, Roman sculpture.