Name: The Dissolution of Character in Late Romanticism, 1820 - 1839 (Edinburgh Critical Studies in Romanticism) (en Inglés)
Price: 372.78 PEN
Availability: InStock
Author: Jonas Cope
ISBN: 9781474421300

portada The Dissolution of Character in Late Romanticism, 1820 - 1839 (Edinburgh Critical Studies in Romanticism) (en Inglés)

The Dissolution of Character in Late Romanticism, 1820 - 1839 (Edinburgh Critical Studies in Romanticism) (en Inglés)

Formato

Libro Físico

Editorial

Edinburgh University Press

Autor

Jonas Cope

Año

2018

Idioma

Inglés

N° páginas

256

Encuadernación

Tapa Dura

ISBN13

9781474421300

Categorías

Irlanda
Reino unido
Literatura: historia y crítica

The Dissolution of Character in Late Romanticism, 1820 - 1839 (Edinburgh Critical Studies in Romanticism) (en Inglés)

Jonas Cope (Autor) · Edinburgh University Press · Tapa Dura

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Reseña del libro "The Dissolution of Character in Late Romanticism, 1820 - 1839 (Edinburgh Critical Studies in Romanticism) (en Inglés)"

The idea of character that many of us still take for granted - whether considered in print as an object of representation, or in life as a congenital 'bias' or an acquirable moral possession - is the shared concern of a multidisciplinary debate in reform-era Britain. This book argues for the independent merits of several lesser-known works written in England and Scotland during the 1820s and 1830s, recovering in these works a sustained ideological engagement with the ever-slippery concept of character. The Dissolution of Character in Late Romanticism studies texts written by contemporary poets, novelists, essayists, journalists, philosophers, phrenologists, sociologists, gossip-mongers and anonymous correspondents. Its main authors of interest include David Hume, Walter Scott, Charles Lamb, William Hazlitt, Hartley Coleridge, Letitia Landon, Thomas Love Peacock and Thomas Lovell Beddoes.With a fresh, interdisciplinary approach, this original intervention in Romantic-era scholarship throws character into relief as an especially problematic concept, not only for the poststructuralist critics who study late Romantic writers, but also for the writers themselves. It changes the ways in which literary scholarship has thought about the development of character discourse in the first half of the nineteenth century.