Name: The Mozart-Da Ponte Operas: The Cultural and Musical Background to le Nozze di Figaro, don Giovanni, and Così fan Tutte (Clarendon Paperbacks) (en Inglés)
Price: 288.73 PEN
Availability: InStock
Author: Andrew Steptoe
ISBN: 9780198162216

portada The Mozart-Da Ponte Operas: The Cultural and Musical Background to le Nozze di Figaro, don Giovanni, and Così fan Tutte (Clarendon Paperbacks) (en Inglés)

The Mozart-Da Ponte Operas: The Cultural and Musical Background to le Nozze di Figaro, don Giovanni, and Così fan Tutte (Clarendon Paperbacks) (en Inglés)

Formato

Libro Físico

Editorial

Clarendon Press

Autor

Andrew Steptoe

Año

1990

Idioma

Inglés

N° páginas

300

Encuadernación

Tapa Blanda

ISBN

0198162219

ISBN13

9780198162216

Categorías

Estilo clásico
Arte musical, música orquestal

The Mozart-Da Ponte Operas: The Cultural and Musical Background to le Nozze di Figaro, don Giovanni, and Così fan Tutte (Clarendon Paperbacks) (en Inglés)

Andrew Steptoe (Autor) · Clarendon Press · Tapa Blanda

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Reseña del libro "The Mozart-Da Ponte Operas: The Cultural and Musical Background to le Nozze di Figaro, don Giovanni, and Così fan Tutte (Clarendon Paperbacks) (en Inglés)"

Mozart's collaborations with the librettist Lorenzo da Ponte led to the composition of three of the greatest masterpieces in all opera, Le Nozze di Figaro, Don Giovanni, and Così fan tutte. The aim of this book is to guide the reader to deeper understanding and enjoyment of these enigmatic works, not so much through detailed musical analysis as through setting the scene for their composition. The author examines the cultural and social context in which they were written, the sort of audience who might have attended, and their tastes and expectations. He considers Mozart's own intentions and aspirations for these works, composed over a period of rapid intellectual and political change, during which his beliefs, ambitions, and position in society changed radically. At a musical level, Mozart's work underwent crucial stylistic developments that are manifest in these three operas. We are also given clues to da Ponte's view of opera and the type of entertainment he set out to create. Finally, the author looks at the practicalities of opera production in Mozart's time, all of which would have influenced the final creation of these works.