Name: The Oxford Handbook of the Phenomenology of Music Cultures (Oxford Handbooks) (en Inglés)
Price: 704.57 PEN
Availability: InStock
Author: Berger Harris M.,Riedel Friedlind,Vanderhamm David
ISBN: 9780190693879

portada The Oxford Handbook of the Phenomenology of Music Cultures (Oxford Handbooks) (en Inglés)

The Oxford Handbook of the Phenomenology of Music Cultures (Oxford Handbooks) (en Inglés)

Formato

Libro Físico

Editorial

Oxford University Press

Autor

Berger Harris M.,Riedel Friedlind,Vanderhamm David

Idioma

Inglés

N° páginas

752

Encuadernación

Tapa Dura

ISBN13

9780190693879

The Oxford Handbook of the Phenomenology of Music Cultures (Oxford Handbooks) (en Inglés)

Berger Harris M.,Riedel Friedlind,Vanderhamm David (Autor) · Oxford University Press · Tapa Dura

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Reseña del libro "The Oxford Handbook of the Phenomenology of Music Cultures (Oxford Handbooks) (en Inglés)"

A source of profound insights into human existence and the nature of lived experience, phenomenology is among the most influential intellectual movements of the last hundred years. The Oxford Handbook of the Phenomenology of Music Cultures brings ideas from the phenomenological tradition of Continental European philosophy into conversation with theoretical, ethnographic, and historical work from ethnomusicology, anthropology, sound studies, folklore studies, and allied disciplines to develop new perspectives on musical practices and auditory cultures. With sustained theoretical meditations and evocative ethnography, the book's twenty-two chapters advance scholarship on topics at the heart of the study of music and culture today--from embodiment, atmosphere, and Indigenous ontologies, to music's capacity to reveal new possibilities of the person, the nature of virtuosity, issues in research methods, the role of memory, imagination, and states of consciousness in musical experience, and beyond. Thoroughly up-to-date, the handbook engages with both classical and contemporary phenomenology, as well as theoretical traditions that have drawn from it, such as affect theory or the German-language literature on cultural techniques. Together, these essays make major contributions to fundamental theory in the study of music and culture.