Name: The Screen Censorship Companion: Critical Explorations in the Control of Film and Screen Media (en Inglés)
Price: 429.09 PEN
Availability: InStock
Author: Biltereyst, Daniel ; Mathijs, Ernest
ISBN: 9781804130667

portada The Screen Censorship Companion: Critical Explorations in the Control of Film and Screen Media (en Inglés)

The Screen Censorship Companion: Critical Explorations in the Control of Film and Screen Media (en Inglés)

Formato

Libro Físico

Autor

Ernest Mathijs

Daniel Biltereyst

Editorial

University of Exeter Press

Idioma

Inglés

N° páginas

368

Encuadernación

Tapa Dura

Peso

0.33 kg.

ISBN13

9781804130667

Categorías

Historia, teoría y crítica cinematográfica
Cuestiones éticas: censura

The Screen Censorship Companion: Critical Explorations in the Control of Film and Screen Media (en Inglés)

Ernest Mathijs (Autor) · Daniel Biltereyst (Autor) · University of Exeter Press · Tapa Dura

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Reseña del libro "The Screen Censorship Companion: Critical Explorations in the Control of Film and Screen Media (en Inglés)"

Throughout the history of film, censorship has existed everywhere-in all shapes, colours, and dimensions. The act of restricting the free production, circulation, screening, and consumption of movies was never unique to authoritarian regimes. Censorship has had far-reaching implications for filmmakers, distributors, exhibitors, and audiences across generations and across genres, including the self-censorship of audiences disciplined into particular viewership positions. Today, soft and hard censorship coexist in ever-more fluid forms; the banning, regulating, trimming, and tailoring of films for 'harmless' consumption all exemplify wider debates about access to media. This companion brings together contemporary and historical views on censorship, covering Argentina, Canada, Chile, Colombia, Denmark, France, Germany, Italy, Japan, Norway, Poland, Sweden, Turkey, the United Kingdom, and the United States. The book considers Hollywood's practices and the United States' legislative context as important frames of reference for the study of filmed entertainment censorship, be they concerned with obscene materials or plain mainstream movie fare. American cinema remains a wider compass, as evidenced by how studies in this companion, which deal with local and regional censorship, appear to have American movies as their targets. This volume showcases the broad international scope of censorship through detailed examinations of censorship practices. The diversity of case studies is an indication of the global reach of censorship-nothing can escape its grasp. Ultimately, the censorship of screen access is a struggle for power and control; this book demonstrates how intense this struggle can become, and how compromises and solutions are found.