Name: The Theatre of D.H. Lawrence: Dramatic Modernist and Theatrical Innovator (en Inglés)
Price: 595.99 PEN
Availability: InStock
Author: Moran, James ; Wetmore Jr, Kevin J. ; Lonergan, Patrick
ISBN: 9781472570383

portada The Theatre of D.H. Lawrence: Dramatic Modernist and Theatrical Innovator (en Inglés)

The Theatre of D.H. Lawrence: Dramatic Modernist and Theatrical Innovator (en Inglés)

Formato

Libro Físico

Autor

Ilustrado por

Editorial

Idioma

Inglés

N° páginas

264

Encuadernación

Tapa Dura

Dimensiones

21.6 x 14.0 x 1.6 cm

Peso

0.45 kg.

ISBN13

9781472570383

Categorías

Irlanda
Reino unido
Historia, teoría y crítica cinematográfica
Estudios literarios: obras de teatro y dramaturgos

The Theatre of D.H. Lawrence: Dramatic Modernist and Theatrical Innovator (en Inglés)

James Moran (Autor) · Patrick Lonergan (Ilustrado por) · Kevin J. Wetmore Jr (Ilustrado por) · Methuen Drama · Tapa Dura

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Reseña del libro "The Theatre of D.H. Lawrence: Dramatic Modernist and Theatrical Innovator (en Inglés)"

This is the first major book-length study for four decades to examine the plays written by D. H. Lawrence, and the first ever book to give an in-depth analysis of Lawrence's interaction with the theatre industry during the early twentieth century. It connects and examines his performance texts, and explores his reaction to a wide-range of theatre (from the sensation dramas of working-class Eastwood to the ritual performances of the Pueblo people) in order to explain Lawrence's contribution to modern drama. F. R. Leavis influentially labelled the writer 'D. H. Lawrence: Novelist'. But this book foregrounds Lawrence's career as a playwright, exploring unfamiliar contexts and manuscripts, and drawing particular attention to his three most successful works: The Widowing of Mrs Holroyd, The Daughter-in-Law, and A Collier's Friday Night. It examines how Lawrence's novels are suffused with theatrical thinking, revealing how Lawrence's fictions - from his first published work to the last story that he wrote before his death - continually take inspiration from the playhouse. The book also argues that, although Lawrence has sometimes been dismissed as a restrictively naturalistic stage writer, his overall oeuvre shows a consistent concern with theatrical experiment, and manifests affinities with the dramatic thinking of modernist figures including Brecht, Artaud, and Joyce. In a final section, the book includes contributions from influential theatre-makers who have taken their own cue from Lawrence's work, and who have created original work that consciously follows Lawrence in making working-class life central to the public forum of the theatre stage.