Name: The World Is Charged: Poetic Engagements with Gerard Manley Hopkins (en Inglés)
Price: 254.04 PEN
Availability: InStock
Author: Westover, Daniel ; Wright, William
ISBN: 9781942954200

portada The World Is Charged: Poetic Engagements with Gerard Manley Hopkins (en Inglés)

The World Is Charged: Poetic Engagements with Gerard Manley Hopkins (en Inglés)

Formato

Libro Físico

Autor

William Wright

Daniel Westover

Editorial

Clemson University Press W/ Lup

Idioma

Inglés

N° páginas

164

Encuadernación

Tapa Blanda

Dimensiones

22.6 x 15.2 x 1.3 cm

Peso

0.29 kg.

ISBN13

9781942954200

N° edición

Categorías

Irlanda
Reino unido
Estudios literarios: poesía y poetas
Religión y creencias

The World Is Charged: Poetic Engagements with Gerard Manley Hopkins (en Inglés)

William Wright (Autor) · Daniel Westover (Autor) · Clemson University Press W/ Lup · Tapa Blanda

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Reseña del libro "The World Is Charged: Poetic Engagements with Gerard Manley Hopkins (en Inglés)"

The discovery of Gerard Manley Hopkins's poetry in the twentieth century was a revelation for postwar poets, who discovered in both Hopkins's style and subject matter a voice seemingly bottled for their own time. This influence has not faded in the twenty-first century; in fact, it has grown all the more pervasive as poets from many backgrounds and nations have found, in the voice of this nineteenth-century Jesuit, a revolutionary way of addressing contemporary concerns relating to human imagination, ecology, "green" ethics, the role of art, and individual spirituality. The poets collected in The World Is Charged: Poetic Engagements with Gerard Manley Hopkins engage with Hopkins in diverse ways. Some mention Hopkins or address some aspect of his life. Others channel his innovative poetics or address important Hopkinsian themes. All demonstrate the centrality of his influence in contemporary poetry. Unfortunately, critics have mostly neglected the importance of Hopkins as a contemporary model, instead pinning his influence to the early twentieth century. In a climate where high modernism, Whitmanic free verse, and the confessional lyric are often held up as contemporary poetry's dominant forerunners, this book proposes a more complex genealogy, tracing back to Hopkins and his influential early admirers current strands of emotional and spiritual openness, pleasure in word play and sonic textures, and veneration of the dynamic material world.