Name: Three Faces Of Noir Curse Crime Cringe: Film Noir In The Public Domain Vol IV (en Inglés)
Price: 233.67 PEN
Availability: InStock
Author: Dowling, Bernie
ISBN: 9781763810020

portada Three Faces Of Noir Curse Crime Cringe: Film Noir In The Public Domain Vol IV (en Inglés)

Three Faces Of Noir Curse Crime Cringe: Film Noir In The Public Domain Vol IV (en Inglés)

Formato

Libro Físico

Editorial

Bent Banana Books

Autor

Dowling, Bernie

Idioma

Inglés

N° páginas

202

Encuadernación

Tapa Dura

Dimensiones

27.9 x 21.6 x 1.8 cm

ISBN13

9781763810020

Three Faces Of Noir Curse Crime Cringe: Film Noir In The Public Domain Vol IV (en Inglés)

Dowling, Bernie (Autor) · Bent Banana Books · Tapa Dura

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Reseña del libro "Three Faces Of Noir Curse Crime Cringe: Film Noir In The Public Domain Vol IV (en Inglés)"

Bernie Dowling's latest in his award-winning series on film noir traces its evolution from the curse of World War I to German Expressionism, noir prototypes in Hollywood horror and gangster movies, and the rise of noir during World War II.In six lively pictorial essays, Dowling continues his series on film noir in the public domain. In the Curse section, Dowling reviews 1940s horror noirs, while Crime examines the 1938 proto-noir Algiers and a 1950s noir directed by Stanley Kubrick. Cringe looks at the noir theme of humiliation in the 1940s and 50s.Dowling's sly humor offers comic relief along the path to the joyous darkness that is film noir. Historical photos abound of classic Hollywood, its movies, and their creators.This is the final volume of this series on film noir in the public domain, and Dowling reveals his 10 favorite film noirs, with a surprise or two on the list.Bernie Dowling's latest book traces the evolution of film noir from the curse of World War I to German Expressionism, noir prototypes in Hollywood horror and gangster movies, and the rise of noir during World War II.In six lively pictorial essays, Dowling continues his series on film noir in the public domain. In the Curse section, Dowling reviews 1940s horror noirs, while Crime examines the 1938 proto-noir Algiers and a 1950s noir directed by Stanley Kubrick. Cringe looks at the noir theme of humiliation in the 1940s and 50s.Dowling's sly humor offers comic relief along the path to the joyous darkness that is film noir. Historical photos abound of classic Hollywood, its movies, and their creators.This is the final volume of this series on film noir in the public domain, and Dowling reveals his 10 favorite film noirs, with a surprise or two on the list.