Name: Vivre ICI: Space, Place and Experience in Contemporary French Documentary (en Inglés)
Price: 201.85 PEN
Availability: InStock
Author: J. Murray Levine, Alison
ISBN: 9781800855847

portada Vivre ICI: Space, Place and Experience in Contemporary French Documentary (en Inglés)

Vivre ICI: Space, Place and Experience in Contemporary French Documentary (en Inglés)

Formato

Libro Físico

Editorial

Liverpool University Press

Autor

J. Murray Levine, Alison

Año

2021

Idioma

Inglés

N° páginas

320

Encuadernación

Tapa Blanda

ISBN13

9781800855847

Categorías

Francia
Historia, teoría y crítica cinematográfica
Estudios sobre medios
Historia de europa

Vivre ICI: Space, Place and Experience in Contemporary French Documentary (en Inglés)

J. Murray Levine, Alison (Autor) · Liverpool University Press · Tapa Blanda

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Reseña del libro "Vivre ICI: Space, Place and Experience in Contemporary French Documentary (en Inglés)"

Vivre Ici invites the reader on a journey through the vast viewing landscape of contemporary French documentary film, a genre that has experienced a renaissance in the past twenty years. The films explored are connected not just by a general interest in engaging the "real," but by a particular attention to French space and place. From farms and wild places to roads, schools, and urban edgelands, these films explore the spaces of the everyday and the human and non-human experiences that unfold within them. Through a critical approach that integrates phenomenology, film theory, eco-criticism and cultural history, Levine investigates the notion of documentary as experience. She asks how and why, in the contemporary media landscape, these films seek to avoid argumentation and instead, give the viewer a feeling of "being there." As a diverse collection of filmmakers, both well-known and lesser-known, explore the limits and possibilities of these places, a collage-like, incomplete, and fragmented vision of France as seen and felt through documentary cameras comes into view. Venturing beyond film analysis to examine the production climate for these films and their circulation in contemporary France, Levine explores the social and political consequences of these "films that matter" for the viewers who come into contact with them.