Name: British Periodicals and Romantic Identity: The "Literary Lower Empire" (Nineteenth-Century Major Lives and Letters) (en Inglés)
Price: 263.21 PEN
Availability: InStock
Author: M. Schoenfield
ISBN: 9780230609471

portada British Periodicals and Romantic Identity: The "Literary Lower Empire" (Nineteenth-Century Major Lives and Letters) (en Inglés)

Formato

Libro Físico

Editorial

Palgrave Macmillan

Autor

M. Schoenfield

Año

2009

Idioma

Inglés

N° páginas

296

Encuadernación

Tapa Dura

Peso

ISBN

0230609473

ISBN13

9780230609471

N° edición

2009

Categorías

Irlanda
Reino unido
Historia y crítica literaria

British Periodicals and Romantic Identity: The "Literary Lower Empire" (Nineteenth-Century Major Lives and Letters) (en Inglés)

M. Schoenfield (Autor) · Palgrave Macmillan · Tapa Dura

Libro Nuevo

S/ 263,21

S/ 526,42

Ahorras: S/ 263,21

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Origen: Estados Unidos (Costos de importación incluídos en el precio)

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Reseña del libro "British Periodicals and Romantic Identity: The "Literary Lower Empire" (Nineteenth-Century Major Lives and Letters) (en Inglés)"

When Lord Byron identified the periodical industry as the "Literary Lower Empire," he registered the cultural clout that periodicals had accumulated by positioning themselves as both the predominant purveyors of scientific, economic, and social information and the arbiters of literary and artistic taste. British Periodicals and Romantic Identity explores how periodicals such as the Edinburgh, Blackwood s, and the Westminster became the repositories and creators of "public opinion." In addition, Schoenfield examines how particular figures, both inside and outside the editorial apparatus of the reviews and magazines, negotiated this public and rapidly professionalized space. Ranging from Lord Byron, whose self-identification as lord and poet anticipated his public image in the periodicals, to William Hazlitt, equally journalist and subject of the reviews, this engaging study explores both canonical figures and canon makers in the periodicals and positions them as a centralizing force in the consolidation of Romantic print culture.