Name: Film Professionals in Nazi-Occupied Europe: Mediation Between the National-Socialist Cultural "New Order" and Local Structures (en Inglés)
Price: 701.11 PEN
Availability: InStock
Author: Skopal, Pavel ; Vande Winkel, Roel
ISBN: 9783030616366

portada Film Professionals in Nazi-Occupied Europe: Mediation Between the National-Socialist Cultural "New Order" and Local Structures (en Inglés)

Formato

Libro Físico

Ilustrado por

Pavel Skopal

Roel Vande Winkel

Editorial

Palgrave MacMillan

Autor

Skopal, Pavel ; Vande Winkel, Roel

Idioma

Inglés

N° páginas

274

Encuadernación

Tapa Blanda

Dimensiones

21.0 x 14.8 x 1.6 cm

Peso

0.35 kg.

ISBN13

9783030616366

Categorías

Artes escénicas
Estudios sobre la paz y resolución de conflictos
Sociedad y cultura general

Film Professionals in Nazi-Occupied Europe: Mediation Between the National-Socialist Cultural "New Order" and Local Structures (en Inglés)

Pavel Skopal (Ilustrado por) · Roel Vande Winkel (Ilustrado por) · Palgrave MacMillan · Tapa Blanda

Libro Físico

S/ 701,11

S/ 1.402,22

Ahorras: S/ 701,11

50% descuento

Envío normal

Origen: Estados Unidos (Costos de importación incluídos en el precio)

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Reseña del libro "Film Professionals in Nazi-Occupied Europe: Mediation Between the National-Socialist Cultural "New Order" and Local Structures (en Inglés)"

This book analyses the film industries and cinema cultures of Nazi-occupied countries (1939-1945) from the point of view of individuals: local captains of industry, cinema managers, those working for film studios and officials authorized to navigate film policy. The book considers these people from a historical perspective, taking into account their career before the occupation and, where relevant, pays attention to their post-war lives. The perspectives of these historical agents" contributes to an understanding of how top-down orders and haphazard signals from the occupying administration were moulded, adjusted and distorted in the process of their translation and implementation. This edited collection offers a more dynamic and less deterministic approach to research on the international expansion of Third-Reich cinema in World War Two; an approach that strives to balance the role of individual agency with the structural determinants. The case studies presented in this book cover the territories of Belgium, Czechoslovakia, France, the Netherlands, Norway, Poland and the Soviet Union.