Name: H. N. Werkman (Monographics) (en Inglés)
Price: 48.03 PEN
Availability: InStock
Author: Alston W. Purvis
ISBN: 9780300102901

portada H. N. Werkman (Monographics) (en Inglés)

Formato

Libro Físico

Editorial

Yale Univ Pr

Autor

Alston W. Purvis

Año

2004

Idioma

Inglés

N° páginas

112

Encuadernación

Tapa Blanda

Peso

1.00

ISBN

0300102909

ISBN13

9780300102901

Categorías

Historia del arte

H. N. Werkman (Monographics) (en Inglés)

Alston W. Purvis (Autor) · Yale Univ Pr · Tapa Blanda

Libro Nuevo

S/ 48,03

S/ 96,07

Ahorras: S/ 48,03

50% descuento

Envío normal

Origen: Estados Unidos (Costos de importación incluídos en el precio)

Se enviará desde nuestra bodega entre el Martes 25 de Junio y el Jueves 04 de Julio.

Lo recibirás en cualquier lugar de Perú entre 2 y 5 días hábiles luego del envío.

Reseña del libro "H. N. Werkman (Monographics) (en Inglés)"

Dutch designer and printmaker Hendrik Werkman (1882–1945) is best known for his innovative printing techniques and avant-garde typography. As publisher of De Blauwe Schuitt, a series of underground booklets produced by Jewish dissident poets and writers during the Nazi occupation of Holland, Werkman was imprisoned by German secret police in 1945 and executed without trial just three days before the country’s liberation. This generously illustrated book is the first in English to focus on Werkman’s remarkable graphic work and fascinating life.Werkman founded his own printmaking shop in 1908. His self-produced magazine The Next Call was published in 1923 and included typographical and other printmaking experiments as well as the designer’s own Dadaist poems and texts. Werkman also developed a printmaking process he called “hot printing,” a technique incorporating found materials that added repeated design elements directly onto the paper―all without the use of a printing press. Although much of his work was destroyed at the time of his execution, the remarkable examples that remain tell the story of a maverick designer and typographer whose graphic vision was playful, bold, experimental, and unwaveringly optimistic.