Name: Ibsen and Ibsenism in China 1908-1997: A Critical-Annotated Bibliography of Criticism, Translation and Performance (en Inglés)
Price: 109.53 PEN
Availability: InStock
Author: Tam, Kwok-Kan
ISBN: 9789622019072

portada Ibsen and Ibsenism in China 1908-1997: A Critical-Annotated Bibliography of Criticism, Translation and Performance (en Inglés)

Ibsen and Ibsenism in China 1908-1997: A Critical-Annotated Bibliography of Criticism, Translation and Performance (en Inglés)

Formato

Libro Físico

Autor

Kwok-Kan Tam

Editorial

Chinese University of Hong Kong Press

Idioma

Inglés

N° páginas

276

Encuadernación

Tapa Dura

ISBN13

9789622019072

Categorías

Asia
Literatura: historia y crítica
Bibliografías, catálogos
Estudios étnicos

Ibsen and Ibsenism in China 1908-1997: A Critical-Annotated Bibliography of Criticism, Translation and Performance (en Inglés)

Kwok-Kan Tam (Autor) · Chinese University of Hong Kong Press · Tapa Dura

Libro Nuevo Importado

Envío: 12 a 17 días háb.

S/ 243,39S/ 109,53

-55%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan 2 unidades

S/ 109,53

Llega entre el 03 Jul y el 13 Jul a CERCADO DE LIMA, Lima. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "Ibsen and Ibsenism in China 1908-1997: A Critical-Annotated Bibliography of Criticism, Translation and Performance (en Inglés)"

Ibsen has been considered by many literary historians as the most important source, besides Goethe, of Western influence in modern Chinese literary thinking. While Goethe is recognized for his impact on the romantic trend in modern Chinese literature, particularly in the 1930s, Ibsen remains to be influential in both the modern Chinese theatre and the Chinese women's movement throughout the twentieth century. Most of Ibsen's major plays have been translated and staged in China, and scholars in the field of modern Chinese intellectual history fully acknowledge the contribution Ibsen made to the May 4th Movement that marked the beginning of modern Chinese culture. Apart from its value as a reference tool for the study of modern Chinese theatre and women's movement, this critical-annotated bibliography serves, more importantly, to chart an aspect of the path along which modern Chinese culture has developed.