Name: Marcel Duchamp and the Architecture of Desire (en Inglés)
Price: 278.49 PEN
Availability: InStock
Author: Haralambidou, Penelope
ISBN: 9781409443452

portada Marcel Duchamp and the Architecture of Desire (en Inglés)

Formato

Libro Físico

Autor

Penelope Haralambidou

Editorial

Routledge

Año

2013

Idioma

Inglés

N° páginas

352

Encuadernación

Tapa Blanda

ISBN13

9781409443452

N° edición

Categorías

Arquitectura
Historia del arte
Modernismo
Monografías sobre el arte

Marcel Duchamp and the Architecture of Desire (en Inglés)

Penelope Haralambidou (Autor) · Routledge · Tapa Blanda

Libro Físico

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S/ 556,97

Ahorras: S/ 278,49

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Reseña del libro "Marcel Duchamp and the Architecture of Desire (en Inglés)"

While much has been written on Marcel Duchamp - one of the twentieth century's most beguiling artists - the subject of his flirtation with architecture seems to have been largely overlooked. Yet, in the carefully arranged plans and sections organising the blueprint of desire in the Large Glass, his numerous pieces replicating architectural fragments, and his involvement in designing exhibitions, Duchamp's fascination with architectural design is clearly evident. As his unconventional architectural influences - Niceron, Lequeu and Kiesler - and diverse legacy - Tschumi, OMA, Webb, Diller + Scofidio and Nicholson - indicate, Duchamp was not as much interested in 'built' architecture as he was in the architecture of desire, re-constructing the imagination through drawing and testing the boundaries between reality and its aesthetic and philosophical possibilities. Marcel Duchamp and the Architecture of Desire examines the link between architectural thinking and Duchamp's work. By employing design, drawing and making - the tools of the architect - Haralambidou performs an architectural analysis of Duchamp's final enigmatic work Given: 1. The Waterfall, 2. The Illuminating Gas... demonstrating an innovative research methodology able to grasp meaning beyond textual analysis. This novel reading of his ideas and methods adds to, but also challenges, other art-historical interpretations. Through three main themes - allegory, visuality and desire - the book defines and theorises an alternative drawing practice positioned between art and architecture that predates and includes Duchamp.