Name: Ritual and Music of North China: Shawm Bands in Shanxi (en Inglés)
Price: 223.29 PEN
Availability: InStock
Author: Jones, Stephen
ISBN: 9781138056725

portada Ritual and Music of North China: Shawm Bands in Shanxi (en Inglés)

Formato

Libro Físico

Autor

Stephen Jones

Editorial

Routledge

Idioma

Inglés

N° páginas

148

Encuadernación

Tapa Blanda

ISBN13

9781138056725

Categorías

Teoría de la música
Estilos y géneros musicales
Instrumentos musicales y conjuntos instrumentales

Ritual and Music of North China: Shawm Bands in Shanxi (en Inglés)

Stephen Jones (Autor) · Routledge · Tapa Blanda

Libro Físico

S/ 223,29

S/ 446,59

Ahorras: S/ 223,29

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Origen: Reino Unido (Costos de importación incluídos en el precio)

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Reseña del libro "Ritual and Music of North China: Shawm Bands in Shanxi (en Inglés)"

The rich local traditions of musical life in rural China are still little known. Music-making in village society is largely ceremonial, and shawm bands account for a significant part of such music. This is the first major ethnographic study of Chinese shawm bands in their ceremonial and social context. Based in a poor county in Shanxi province in northwestern China, Stephen Jones describes the painful maintenance of ceremonial and its music there under Maoism, its revival with the market reforms of the 1980s and its modification under the assault of pop music since the 1990s. Part One of the text explains the social and historical background by outlining the lives of shawm band musicians in modern times. Part Two looks at the main performing contexts of funerals and temple fairs, whilst Part Three discusses musical features such as instruments, scales, and repertories. The downloadable resources consist of a 47-minute film in two parts, showing excerpts from funerals and temple fairs (complementing Part Two of the text), while a separate section contains a magnificent 1992 funerary performance of a complete shawm-band suite. As a package, the book and downloadable resources illuminate the whole ceremonial context of music-making in rural China, illustrating the ritual-music experience of villagers, with lay Daoist priests, opera troupes, and beggars also making cameo appearances. While the modern stage repertories of urban professionals remain our main exposure to Chinese music, this publication is all the more valuable in showing the daily musical experiences of the majority of people in China. It will appeal to ethnomusicologists, anthropologists and all those interested in modern Chinese history and society.