Name: The Ancient View of Greek Art: Criticism, History, and Terminology (en Inglés)
Price: 363.69 PEN
Availability: InStock
Author: J. J. Pollitt
ISBN: 9780300015973

portada The Ancient View of Greek Art: Criticism, History, and Terminology (en Inglés)

Formato

Libro Físico

Editorial

Yale Univ Pr

Autor

J. J. Pollitt

Año

1974

Idioma

Inglés

N° páginas

484

Encuadernación

Tapa Dura

ISBN

0300015976

ISBN13

9780300015973

Categorías

Aspectos generales del arte
Historia del arte

The Ancient View of Greek Art: Criticism, History, and Terminology (en Inglés)

J. J. Pollitt (Autor) · Yale Univ Pr · Tapa Dura

Libro Nuevo

S/ 363,69

S/ 727,39

Ahorras: S/ 363,69

50% descuento

Envío normal

Origen: Estados Unidos (Costos de importación incluídos en el precio)

Se enviará desde nuestra bodega entre el Viernes 05 de Julio y el Viernes 19 de Julio.

Lo recibirás en cualquier lugar de Perú entre 2 y 5 días hábiles luego del envío.

Reseña del libro "The Ancient View of Greek Art: Criticism, History, and Terminology (en Inglés)"

What did the ancient Greeks think about their own art? J.J. Pollitt attempts to answer this question by studying the critical terminology of the ancient Greeks―the terms they used to describe and evaluate sculpture, painting, and architecture. Although Greeks and Romans with a wide variety of backgrounds and interests―including artists, philosophers, rhetoricians, historians, and guidebook writers―wrote about art in antiquity, very few of their works have survived. Mr. Pollitt has therefore had to draw largely on works of authors who, while discussing some other subject, make passing references to art for the purpose of analogy or illustration. By carefully assembling and organizing these fragments, he presents a coherent view of art criticism in ancient Greece. This study is divided into two parts. The first part provides a general history of Greek art criticism and its sources. The second is an extensive glossary which collects, translates, and analyzes passages from Greek and Latin authors in which important critical terms are used. The book can therefore be used by art historians and classicists as both a scholarly text and an important work of reference.