Name: The Philosophy of Art (en Inglés)
Price: 71.59 PEN
Availability: InStock
Author: Hippolyte Taine
ISBN: 9781835911303

portada The Philosophy of Art (en Inglés)

Formato

Libro Físico

Autor

Hippolyte Taine

Editorial

Sascha Association

Idioma

Inglés

N° páginas

Encuadernación

Tapa Blanda

Dimensiones

27.9 x 21.6 x 0.4 cm

Peso

0.18 kg.

ISBN13

9781835911303

Categorías

Conceptualismo
Aspectos generales del arte
Historia del arte
Obras de consulta

The Philosophy of Art (en Inglés)

Hippolyte Taine (Autor) · Sascha Association · Tapa Blanda

Libro Físico

S/ 71,59

S/ 143,17

Ahorras: S/ 71,59

50% descuento

Envío normal

Origen: Estados Unidos (Costos de importación incluídos en el precio)

Se enviará desde nuestra bodega entre el Viernes 07 de Junio y el Viernes 21 de Junio.

Lo recibirás en cualquier lugar de Perú entre 2 y 5 días hábiles luego del envío.

Reseña del libro "The Philosophy of Art (en Inglés)"

This insightful work explains what art represents and how to judge a good piece of art. With discussion on art, philosophy, history, and psychology, Hippolyte Taine developed the notion of understanding art through the historical circumstances during its creation. In addition, Taine talks about literature and the qualities that make a text a gem. The book comprises an application of the experimental method to art, in the same way, it is done in science. The author precisely describes art by social influences and other causes. Humanity at different periods and locations, climate, and other conditions furnish the truths on which the theory rests. It is a must-read for anyone interested in understanding a piece of art, examining it by details and the whole picture. Hippolyte Adolphe Taine was a French philosopher, critic and historian. He was the chief theoretical influence of French naturalism, a major proponent of sociological positivism and one of the first practitioners of historicist criticism. Literary historicism as a critical movement has been said to originate with him. Taine is particularly remembered for his three-pronged approach to the contextual study of a work of art, based on the aspects of what he called "race, milieu, and moment".